The McIntire Department of Music is pleased to present the 2019-2020 University of Virginia Chamber Music Series. This annual series, which presents innovative performances by the University of Virginia's world-class performance faculty and celebrated guest artists, is comprised of six professional performances for the University and the central Virginia community. These intimate concerts are programmed to offer both new and traditional works that will delight audiences of all musical tastes.
The series concludes on April 5 at 3:30 pm in Old Cabell Hall, with the McIntire Department of Music’s world-class performance faculty presenting a diverse repertoire of chamber music gems.
Featuring Katy Ambrose, horn; Ayn Balija, viola; Jiyeon Choi, clarinet; Kelly Peral, oboe; Elizabeth Roberts, bassoon; David Sariti, violin; Daniel Sender, violin; Peter Spaar, bass; and Kelly Sulick, flute.
Richard Strauss - Til Eulenspiegel, Einmal Anders!
David Sariti, violin; Jiyeon Choi, clarinet; Peter Spaar, bass; Katy Ambrose, horn; Elizabeth Roberts, bassoon
Emile Bernard - Divertissement, Op. 36
Kelly Sulick, flute; Kelly Peral, oboe; Jiyeon Choi, clarinet; Katy Ambrose, horn; Elizabeth Roberts, bassoon; joined by talented UVA students
Sergei Prokofiev - Quintet, Op. 39
Daniel Sender, violin; Ayn Balija, viola; Peter Spaar, bass; Kelly Peral, oboe; Jiyeon Choi, clarinet
Praised by the Philadelphia Inquirer as a “spectacular” and “graceful” musician, Katy Ambrose has made a name for herself as an educator, chamber and orchestral musician. She joined the faculty of the University of Virginia as Lecturer in Horn and Principal Horn of the Charlottesville Symphony in the Fall of 2015, and also holds the position of Fourth Horn of the Delaware Symphony Orchestra. Previously, Katy was a founding member and horn player in Seraph Brass, Second Horn in the Northeastern Pennsylvania Philharmonic, Fourth Horn in the Philly Pops!, Acting Assistant Principal/Utility horn in the Albany Symphony, and Assistant Principal horn in the Lexington Philharmonic (Lexington, KY). She has performed with the Philadelphia Orchestra, Opera Company of Philadelphia, Pennsylvania Ballet, Hawai’i Opera Theater/Hawai’i Symphony Orchestra, Chamber Music Honolulu, Chamber Orchestra of Philadelphia, Harrisburg Symphony, Vermont Symphony, New Haven Symphony, and regionally with Opera on the James, Ash Lawn Opera, and the Staunton Music Festival. Outside of the classical setting, Katy played in the band for several shows on Adele’s 2016 world tour, Cee Lo Green’s Grammy-winning album, The Lady Killers, and has been heard during the Super Bowl and Monday Night Football as a recording artist for NFL Studios.
Ambrose has previously served on the faculty for the Curtis Institute of Music Young Artists’ Summer Program, Drexel University, Settlement Music School, Interlochen Arts Camp, and taught undergraduate horn students at Yale University. Katy is especially interested in mentoring younger musicians and has taught for and developed programs and curricula for several education programs including the Philadelphia Orchestra School Partnership Program, Delaware Symphony school program and the “El-Sistema” inspired programs Tune-Up, Philly and Play On, Philly!
Katy earned an Artist Diploma from Yale University, her Masters degree from the Cincinnati College-Conservatory of Music and a Bachelor’s degree from the University of Michigan, and is finishing her doctorate at Temple University in 2018. She was the recipient of the prestigious William D. Revelli Award from the University of Michigan School of Music and the Henry and Lucy Moses Fellowship from the Yale School of Music.
More about Katy Ambrose at http://www.katyambrose.com/
Violist Ayn Balija leads a musically rich life performing and teaching throughout the country.
She is currently the Associate Professor of Viola at the University of Virginia, Principal Violist of the Charlottesville Symphony at the University of Virginia, and violist of the Rivanna String Quartet. She has also been on faculty at James Madison University and Lorain County Community College. She presents masterclasses throughout the south-central region of the country. During the summer she is on faculty at the Tennessee Governor’s School for the Arts.
As an orchestral musician Ms. Balija has performed in such venues as Heinz Hall and Carnegie Hall with the Pittsburgh Symphony as well as performs with the Richmond Symphony, Williamsburg Symphonia, Charlottesville Opera, Victory Hall Opera, and the Roanoke Symphony. For twelve years she was also a tenured member of ProMusica Chamber Orchestra of Columbus helping to promote new music for chamber orchestra through commissions and recordings of new works under the Summit label. Ms. Balija has performed additional chamber works at Yachats Summer Music Festival (OR), North Carolina Chamber Music Festival (NC), and the Staunton Music Festival (VA).
As a soloist, Ms. Balija has performed recitals in New Zealand, Oregon, North Carolina, Tennessee, West Virginia, and Virginia focusing on promoting the versatility of the viola. She has also been invited to solo with the Tennessee Governor’s School for the Arts Orchestra and the Charlottesville Symphony.
A devoted pedagogue, Ms. Balija strives to promote a diverse learning experience. In 2014, Ms. Balija created Violapalooza, an annual, all-viola day, featuring viola ensembles, workshops, guest viola artists teaching and performing for the education and enjoyment of violists of all ages. Guests have included top violists Kim Kashkashian, Roger Tapping, Paul Neubauer, and George Taylor. In addition to maintaining a private studio, she teaches in the Charlottesville City and Albemarle County school districts through the Boyd Tinsley Foundation and the Symphony’s Preludes program coaching and mentoring young musicians.
Ms. Balija has also presented at the American String Teachers Association and been published on the American Viola Society’s Teacher’s Toolbox page. In 2017 she presented a lecture at the 44th International Viola Congress in Wellington, NZ.
Ayn Balija holds a Bachelor of Music from the Oberlin Conservatory of Music, Masters of Music from The Cleveland Institute of Music and Doctorate of Musical Arts from James Madison University. Her principal mentors have been Peter Slowik, Jeffrey Irvine, and Karen Tuttle.
When not performing, Ms. Balija enjoys spending time in nature and baking for all her colleagues in the orchestra.
Clarinetist and educator Jiyeon Choi joined the Arts & Sciences faculty as a lecturer in Clarinet and as principal clarinet with the Charlottesville Symphony Orchestra in the Fall of 2019, and also holds the principal clarinet position with the Sinfonia da Camera, Illinois. She is an advocate for contemporary music as well as specializing in standard solo, chamber, and orchestral repertoire. Her primary research explores the chamber music of Jörg Widmann, a renowned German clarinetist, and composer. She is also a core member of the newly-founded ensemble VIM, a new music ensemble featuring southeastern artists with cross-disciplinary performances based in Atlanta, GA.
Dr. Choi has previously served on the faculty for Purdue University and the Illinois Summer Youth Music program. She has performed with several orchestras including Heartland Festival Orchestra, Springfield Choral Society and Champaign Urbana Symphony Orchestra. She received solo and chamber awards from various competitions, including Krannert Debut Artist Competition, Misbin Chamber Competition, Plowman Chamber Competition, and the American Prize. She has performed in prestigious venues such as National Arts Centre, Ottawa, and Carnegie Hall, among others. She was a member of the National Orchestral Institute 2016 with a scholarship and she has been a resident artist at the Atlantic Music Festival in Maine and Orchestre de la Francophonie in Montreal, QC. She can be heard on the recording American Series: Randall Thomson “Symphony No. 2” under James Ross, released by Naxos.
Dr. Choi received a Doctor of Musical Arts degree in music performance from the University of Illinois Urbana Champaign, a Master of Music degree from Eastman School of Music, and a Bachelor of Music degree from Ewha Womans University. Her principal teachers include J. David Harris, Kenneth Grant, Hyun Gon Kim, and Jeongmin Song.
Kelly Peterson Peral is University of Virginia’s Lecturer in Oboe and Principal Oboe with the Charlottesville Symphony. Peral’s performance background includes extensive engagements with New York’s Metropolitan Opera, Orpheus Chamber Orchestra, New York City Ballet, New Jersey Symphony Orchestra, numerous Broadway shows, Palm Beach Opera, Palm Beach Chamber Music Festival, The Florida Orchestra, New World Symphony, and Chamber Orchestra of Philadelphia, among others. Most recently she has enjoyed engagements with Roanoke Symphony, Richmond Symphony, Williamsburg Symphony, and Norfolk’s Virginia Symphony.
An enthusiastic educator, Ms. Peral has served on the faculties of The Juilliard School Pre-College Division, Miami’s New World School of the Arts and Florida International University, as well as the Cleveland Music School Settlement. She had the honor of teaching at the 2016 John Mack Oboe Camp in Little Switzerland, NC, a tremendous opportunity to continue sharing John Mack’s legacy with more than fifty oboists from throughout the United States and Canada.
Having grown up in Central Virginia, Ms. Peral is grateful for her early musical training in Charlottesville with Yvaine Duisit (piano) and David Goza (oboe). Her first orchestral experience was as a member of the Charlottesville Youth Orchestra YOCVA. Ms. Peral finished high school at Interlochen Arts Academy in Michigan, after which she made her solo debut at the John F. Kennedy Center Concert Hall as a 1987 NFAA Presidential Scholar in the Arts. Ms. Peral holds degrees in music performance from The Juilliard School (MM) and the Cleveland Institute of Music (BM). Her major teachers include Elaine Douvas, John Mack, and Daniel Stolper.
Ms. Peral currently lives in Orange, her hometown, with her daughter Sydney. She also enjoys gardening, exploring local farms, tap dancing, great books, and her entertaining cat and chickens. She is proud to see her parents still performing with the Orange Community Band which they helped establish in 1978.
Elizabeth Roberts, Principal Bassoon and Director of Youth Education for the Charlottesville Symphony since 2001, joined the faculty at the University of Virginia the same year. She became a member of the Virginia Symphony Orchestra as their contrabassoonist beginning in 2017. Ms. Roberts has played Second Bassoon with the Williamsburg Symphony Orchestra since 2015 and began serving as the WSO Personnel Manager in October 2018. Ms. Roberts was the Visiting Assistant Professor of Bassoon at the University of Missouri for the 2013-2014 academic year. She freelances on bassoon and contrabassoon with the Philadelphia Orchestra, National Symphony Orchestra, Richmond Symphony, Washington National Opera, and Baltimore Symphony. Ms. Roberts joined the faculty of the New England Music Camp during the summer of 2017. She was a 2008 Virginia Governor’s Award for the Arts nominee and has given world premiere performances of works by Arthur Weisberg, Bernard Rands, Barbara York, Michael Daughtery, Gary Schocker, and Walter Ross. Ms. Roberts has performed as a soloist with the Charlottesville Symphony, the Roanoke Symphony, the Harid Conservatory Orchestra and the Waynesboro Orchestra, and was invited to perform as a soloist and chamber musician at the International Double Reed Society conference in 2010 (OK), 2013 (CA), 2014 (NY), and 2017 (WI). Ms. Roberts can be heard on recordings with the Virginia Symphony Night Owl (Night Owl by Michael Daugherty), the Richmond Symphony Inspired by Walt Whitman (Dona Nobis Pacem by Ralph Vaughan Williams) and the New World Symphony's New World Jazz(Lollapalooza by John Adams).
Ms. Roberts has taught bassoon, reedmaking, and chamber music in the Charlottesville, VA area since 2001, and has performed and taught at the Wintergreen Performing Arts Festival (VA), Beyond the Notes (UVA), where she served as Artistic Director, Music Mind and Reading (NC), the Cascade Festival of Music (OR) and the Coastal Youth Symphony Camp (GA), where she served as Program Director. She currently serves as the Music Advisor for Crozet Arts. Ms. Roberts earned a Bachelor of Science in Early Childhood Education from the University of Illinois, a Professional Studies Diploma and a Bachelor of Music from the Harid Conservatory, and a Master of Music from the University of Southern California, where she was elected to both Pi Kappa Lambda and USC Presidential Fellows, and received the Dean’s Special Commendation. Her principal teachers were Arthur Weisberg, Stephen Maxym, and Frank Morelli. She has pursued additional studies on bassoon with Nancy Goeres and on contrabassoon with Lew Lipnick and Holly Blake.
Violinist David Sariti enjoys a multifaceted career, with performance and research interests that span four centuries. Known for bringing fresh interpretive insight to works both familiar and unfamiliar, he has recently appeared as a recitalist at universities across the country, as soloist with orchestra, and in diverse chamber collaborations. A recent all-Mendelssohn piano trio program was hailed as “Chamber music at a high professional level, reflecting credit on the schools that choose to have their students taught by musicians who not only have academic credentials but are also first-class performing artists.” (Classical Voice of North Carolina). An ardent proponent of new music, he has performed works by composers throughout the Southeast including UVA Professor Emeritus Judith Shatin.
Equally at home with earlier repertoires on the Baroque violin, Sariti has appeared with many notable chamber ensembles and orchestras, including the Washington Bach Consort, The Vivaldi Project, and others. He is a member of “Mr. Jefferson’s Musicians”, which was founded along with members of the Baltimore Consort to perform music from the collection of Thomas Jefferson in a scholarly and musically engaging way. The group was recently featured on the Gotham Early Music series in New York. He has given numerous solo presentations on Jefferson’s music, and is featured on the CD “Music from the Jefferson Collection”. An improviser of music both old and new, he also plays jazz with Greg Howard, John D’earth, and others.
Faculty at UVa since 2005, he is Director of the period-instrument Baroque Orchestra, performs in the Rivanna Quartet, and is Principal Violin II of the Charlottesville Symphony, having previously performed in over a dozen professional symphonies. His studio teaching emphasizes the development of a relaxed, efficient technique and comprehensive musicianship skills that enable students to make informed interpretive choices. In 2016-17 he was chosen as part of the first cohort of College of Arts and Sciences Arts Fellows. He has also taught violin and music history at the Hartt School, University of Hartford, and recently completed a term as Performance Chair of the College Music Society Mid-Atlantic Chapter. His articles on topics ranging from performance practice to string pedagogy have been featured in Early Music America, American String Teacher, and American Music Teacher. He holds degrees from the Hartt School, the University of Akron, and Ithaca College; studies were with Pamela Gearhart, Katie Lansdale, Pamela Frank and members of the Cleveland and Miami quartets and the Meadowmount Trio.
Daniel Sender enjoys a diverse musical career and has appeared in concerts throughout the United States, Canada, Europe, and China. A frequent guest soloist and principal artist with chamber and symphony orchestras throughout the region, Dr. Sender currently serves as concertmaster of the Charlottesville Symphony, Charlottesville Opera and the Virginia Consort.
Dr. Sender was a Fulbright Scholar in Budapest and attended the Franz Liszt Academy of Music as a student of Vilmos Szabadi. He was formerly the first violinist of the Adelphi String Quartet, which held a fellowship residency at the University of Maryland, and was for four years the violinist of the Annapolis Chamber Players. Dr. Sender has recorded for Centaur, Sono Luminus, Bifrost, and other independent labels.
As a chamber musician, Dr. Sender has had the pleasure of performing with members of the Audubon Quartet, Axelrod and Left Bank quartets and spent two years working intensively under the mentorship of the Guarneri Quartet. Chamber concerts have taken him to venues around the world including the Kennedy Center, Hungarian Embassy, Bartók Hall of the Erdödy Palace (Budapest), Smithsonian Museum of American History, Universität der Kunste (Berlin) and the Museum of Fine Arts (Montreal).
A native of Philadelphia, Dr. Sender attended Ithaca College, the University of Maryland, the Liszt Academy (Budapest) and the Institute for European Studies (Vienna). His primary teachers include Vilmos Szabadi, Arnold Steinhardt, David Salness, René Staar, and Gerald Fischbach. He is on the performance faculty of the University of Virginia’s McIntire Department of Music and also holds a faculty position at Interlochen’s Adult Chamber Music Camp.
Master of Music from the University of North Texas, Bachelor of Music from James Madison University. His former teachers include Sam Cross, Ed Rainbow, Tom Lederer, and Mark Bernat. Mr. Spaar currently holds the Robert and Ruth Cross Principal Bass Chair in the Charlottesville Symphony at the University of Virginia. He is the founder and bassist of the Free Bridge Quintet, U.Va.'s jazz quintet-in-residence. He is also a member of the Richmond Symphony Orchestra. In addition to his teaching duties, Mr. Spaar maintains a very active freelance career as both a jazz and classical bassist.
Kelly Sulick currently teaches at the University of Virginia and serves as Principal Flute in the Charlottesville Symphony. Prior to her appointment, she served as Principal Flute with the Evansville Philharmonic Orchestra and as Consortium Instructor of Flute at the University of Evansville for three years. She earned her Master of Music degree in Flute Performance from the University of Southern California; prior to her graduate studies, she earned a Bachelor of Music degree in Flute Performance and a Bachelor of Arts degree in English Language and Literature from the University of Michigan, where she graduated with highest honors and was named a James B. Angell Scholar for her academic achievements.
An active orchestral musician, Ms. Sulick has performed with the Richmond Symphony Orchestra, the Ash Lawn Opera Orchestra, the Owensboro Symphony Orchestra, Orchestra Kentucky, and the Livingston (MI) Symphony. She completed three seasons as principal flute with the Young Musicians Foundation Debut Orchestra in Los Angeles, California. Hailed as “flawless” by the Evansville Courier Press for a concerto performance with the Evansville Philharmonic Orchestra, Sulick has also appeared as a concerto soloist with ensembles throughout the country, including the Southern Illinois Music Festival Orchestra, the Charlottesville Symphony, and most recently the Ann Arbor Symphony Orchestra and alongside Sir James Galway at the Kennedy Center. Equally at home on the concert and popular stages, Ms. Sulick has performed and recorded with several rock bands, including The New Fidelity, a Mod-Power Pop outfit from southern California; Superdot, a world music group based in Detroit; Homesick Elephant, a folk duo from Los Angeles; and Michigan singer-songwriter Timothy Monger.
A champion of new music, she has commissioned and recorded dozens of works for solo flute and flute with electronics and has premiered several additional works for solo flute and chamber ensemble. She has performed at the SEAMUS National Conference, the Atlas INTERSECTIONS Festival, the TomTom Founders Festival, the Technosonics Festival, and the Minimalist Jukebox series, a music festival curated by John Adams. She has worked with such notable composers as Leslie Bassett, William Bolcom, Matthew Burtner, Evan Chambers, Michael Daugherty, Karel Husa, Daniel Kessner, Lowell Liebermann, Judith Shatin, and Frank Ticheli, among others.
An avid chamber musician, she is the co-founder of .thrum, a new music collective, and is a member of the EcoSono Ensemble, an eco-acoustic cohort that explores connections between music, technology, and environmental activism. She also performs regularly as a member of the Albemarle Ensemble, the University of Virginia faculty woodwind quintet, and serves as Director of the University of Virginia Chamber Music Series.
Ms. Sulick maintains a national profile as a performer and educator, having performed and presented at six National Flute Association Conventions, the International Double Reed Society Conference, the Richmond Flute Fest, and at multiple Mid-Atlantic Flute Conventions. She has given masterclasses throughout the country; most recent engagements include the University of North Carolina-Chapel Hill, Penn State University Flute Day, Virginia Tech, Western Kentucky University, CalArts, and San Diego State University. She served as Guest Artist for the 2012 Hampton Roads Flute Faire. Active within the flute community, she currently serves as Vice President of the Flute Society of Washington and as Chair of the Flute Club Committee of the National Flute Association, and was the Volunteer Coordinator for the 2015 National Flute Association Convention in Washington, D.C. She also founded the University of Virginia Flute Forum, a free annual flute festival featuring guest artists, masterclasses, and recitals accessible to all members of the community.
Ms. Sulick won second place in the 2010 National Flute Association's Young Artist Competition, and was awarded the prize for the best performance of Kristin P. Kuster's "Perpetual Afternoon." She can be heard on several compact discs, including William Bolcom's “Songs of Innocence and of Experience” under Leonard Slatkin, a Naxos release that received four Grammy awards including Best Classical Album.
Her principal teachers include Marina Piccinini, Amy Porter, and Jim Walker.
Individual Tickets: $15 General / $13 for UVA Faculty and Staff / $5 Students / Free for UVA Students who reserve in advance / Free for students under 18. Tickets and subscriptions can be purchased at the UVA Arts Box Office website or by calling 434-924-3376. To see all events in the UVA Chamber Music Series, please visit http://music.virginia.edu/uvacms
Old Cabell Hall is located on the south end of UVA's historic lawn, directly opposite the Rotunda. Parking is available in the central grounds parking garage on Emmet Street, in the C1 parking lot off McCormick Rd, and in the parking lots at the UVA Corner. Handicap parking is available in the small parking lot adjacent to Bryan Hall.
To see all events in the UVA Chamber Music Series, please visit http://music.virginia.edu/uvacms
All programs are subject to change.